First Blood (Ted Kotcheff, 1982, USA/Netherlands)

First Blood is the first film in the Rambo franchise. Rambo in the collective consciousness now perhaps conjures images of the stereotypical action film, but First Blood, upon reviewing is more somber and gritty than your typical 80s action film. One of the cornerstone films to deal with the impact and aftermath of the Vietnam War on veterans, First Blood actually had its origins in a 1972 novel by David Morrell. While the film has since become the template for the “one-man army” film, in many ways it shares similarities with the Mad Max franchise. The first Mad Max is far grittier and different in spirit than its subsequent entries.

Ted Kotcheff directs First Blood with true economy - there is hardly a frame wasted. Producer Buzz Feitshans, best known for his collaborations with John Milius, clearly came from the world of the 70s New American Cinema, and First Blood, in some respects, feels like a 70s film more than an 80s film. While there are many stretches of believability, somehow it remains coherent throughout. This is a testament to the film’s direction and editing. Of course, the obvious key element here is Stallone, and it is hard to see how this film works without him. He brings gravitas to the role, while being convincing in the sheer physicality of it all.

The finale of the film is a mixed bag. While it does show Stallone and the Rambo character at his most vulnerable, it also begins to stretch the limits of believability. Honorable mention here for Brian Dennehy in the role of the central villain. Dennehy is one of the most underrated character actors of his era, and First Blood is a testament to his talent. It is not surprising that First Blood generated an entire media franchise, as the film’s central hook is so compelling.

8/10